architecture

The advantage of going to the Getty twice, as well as having a partner the second time around armed with another camera, is that you have plenty of photos with which to make comparisons. Our most recent trip was much later in the day that my first trip, and the sky was slightly more overcast, which meant that the dramatic shadows of my previous photos were missing. However, we were also there fairly close to sunset, so we got to watch as the building transitioned from bright white to orange hues. The reflections off of the curved structures were also much more intense, and in some cases were reminescent of Gehry buildings.

More photo comparisons are in the extended entry. You may want to check out horizonline's Getty photos -- I stuck with a telephoto lens while horizonline used the stock EF-S rebel lens (save time and weight). She ended up taking many of the photos I wish I could have taken (including some of the ones seen here), given that I often had to stand halfway across the plaza to even be able to get enough of what I wanted into a shot.

Neil and I went to go see the under-construction de Young, which was designed by Pritzker-prize-winning architects Herzog and de Meuron. It's right in the heart of Golden Gate Park and sits on an odd juxtaposition of architectural styles (all three photos taken from the same spot):

tea garden, de Young, Music Concourse

The surrounding area is being redesigned by Walter Hood and has a lot of potential to become an interesting public space with all the open space that the Music Concourse provides -- it may end up being a nice, relaxing place to spend your day in the park. (more about the museum and landscape design).

As for the de Young itself, I'm of mixed opinion. I like the fact that the color of the building tries its best to blend with the surrounding landscape, but it seems that Herzog and de Meuron designed the building with bright blue skies in mind, rather than the grey overcast that dominates that part of San Francisco. From the artist renderings it also appears that they intended for it to have more of a red-coppery presence at the start than it actually does -- I'm sure the sun would bring out a little more of the color, but the sketches were far more bright than the building could ever be. After 15 years, though, they do expect the building finish to be much duller. I posted some of my photos from the site on Flickr: