Results tagged “Getty” from kwc blog

Getty Villa

|

getty.villa.1.jpg

I'm a fan of the Getty Center in LA and have been looking forward to the opportunity to visit the Getty Villa ever since it reopened in the beginning of 2006 after extensive renovations. The villa was constructed as a semi-recreation of the Villa of the Papyri, so named because many rolls of papyrus were discovered inside. Since its restoration, it houses the antiquities collection for the Getty. Architects for the Getty Villa relied on detailed floorplans drawn by Karl Weber, who excavated the Herculaneum villa in the mid-18th century. Volcanic gases forced the original excavation to be halted, and parts of the original villa remain unexplored.

The Getty Villa recreation is fun because it is a fake recreation: the architects were free to take odd liberties that restorations must avoid. Corinthian, Doric, and Ionic columns are intermixed, a Pompeii fountain recreation sits at the end of one of the villa's axes, travertine connects it to Meier's Getty Center, and other historical anachronisms and locational amalgams are present throughout. The architects even went so far as to add a modern "excavation" theme to the renovation. You're forced to walk up flights of stairs so that you enter the villa site from above. You then descend down stairs surrounded by concrete pressed to look like layers of wood. An archeological-styled ramp allows you to cross artificially added levels of the dig.

On the one hand, the architects went to great lengths to use Weber's floor plans of the buried Roman villa -- they even located atrium designs from other villas to determine whether or not the atrium should be one or two levels -- but then they throw accuracy out of the window to represent architectural cross-sections of history, ancient Roman and modern. Perhaps the cross-section is useful, because the Villa is there to house real artifacts of Etruscan, Greek, and Roman past. It is easy to discern simulcra from relic.

I have visited the actual archeological sites at Ercalono/Herculaneum and Pompeii in 2001, seen the old mosaics and paintings, and walked the layers of excavation. More than those sites, though, I was reminded of Forest Lawn Memorial-Park and Cemetary in Glendale, CA, which has a stained-glass recreation of the Last Supper, a full-size David statue, and many other replicas that I briefly talked about here. I had visited Forest Lawn because Umberto Eco mentioned it in his essay on "hyperreal" museums in Travels in Hyperreality and my frequent visits to Glendale made it an easy stop. I dug out my old notes on Travels in Hyperreality for this post to try and find a Forest Lawn quote that would describe the nature of the Villa. Surprisingly, I found this quote instead:

...We try to think how a Roman patrician lived and what he was thinking when he built himself one of the villas that the Getty Museum reconstructs, in its need to reconstruct at home the grandeur of Greek civilization. The Roman yearned for impossible parthenons; from Hellenistic artists he ordered copies of the great statues of the Periclean age. He was a greedy shark who, after having helped bring down Greece, guaranteed its survival in the form of copies. Between the Roman patrician and the Greece of the fifth century there were, we might say, from five to seven hundred years. Between the Getty Museum and the remade Rome there are, roughly speaking, two thousand. The temporal gap is bridged by archeological knowledge; we can rely on the Getty team, their reconstruction is more faithful to Herculaneum than the Herculaneum reproduction was faithful to the Greek tradition. But the fact is that our journey into the Absolute Fake, begun in the spirit of irony and sophisticated repulsion, is now exposing us to some dramatic questions.

I'll have to thank my past self for anticipating the reopening of the Villa and my eventual journey there.

I took a lot of photos and instead of processing them, I went ahead and posted a full set: Getty Villa Photoset (~200 photos). For those that want a briefer tour, I also put together a set of highlights

IMG_1069 IMG_1040 IMG_1183 IMG_1244 IMG_1209 IMG_1147 IMG_1115 IMG_1217 IMG_1199 IMG_1251

Getty sun comparison

|

The advantage of going to the Getty twice, as well as having a partner the second time around armed with another camera, is that you have plenty of photos with which to make comparisons. Our most recent trip was much later in the day that my first trip, and the sky was slightly more overcast, which meant that the dramatic shadows of my previous photos were missing. However, we were also there fairly close to sunset, so we got to watch as the building transitioned from bright white to orange hues. The reflections off of the curved structures were also much more intense, and in some cases were reminescent of Gehry buildings.

Getty Sun-01 Getty Sun-15

Getty Sun-03 Getty Sun-04

More photo comparisons are in the extended entry. You may want to check out horizonline's Getty photos -- I stuck with a telephoto lens while horizonline used the stock EF-S rebel lens (save time and weight). She ended up taking many of the photos I wish I could have taken (including some of the ones seen here), given that I often had to stand halfway across the plaza to even be able to get enough of what I wanted into a shot.

Photos: Getty Skyline

|

I took far too many photos at the Getty. To reparaphrase a familar quote: "I have deleted more photos of the Getty than you have ever taken." To deal with this overwhelming glut of photos, I've have winnowed the photos down to two sets: 'skyline' photos and 'sun' photos. The 'skyline' photos are better described as photos taken with the camera pointing upwards, as I focused on the various corners and edges that Richard Meier used in his design. The 'sun' photos take advantage of the fact that I've been to the Getty twice at different times of day, so I have some comparisons of how the building captures and displays light.

The 'sun' photo series is still being put together, but here is a sampling of the 'skylines' series (~70 photos total). I would have whittled my photos down more, but this is also a test of my new Flickr Pro account and how easily Flickr handles large numbers of photos.

getty-08 getty-skylines-38 getty-skylines-42 getty-skylines-35

Getty Skylines Photoset

Back from SoCal

|

I had a good weekend with d down in LA, where we toted our twin Canon Digital Rebels around and snapped photos of everything vaguely building-like. From my previous entry, you can tell that I spent some time at the beach. We also spent part of the weekend watching a table 20 LA'ers go ga-ga over the new PSP, eating dinner with my Aunt and Uncle, and discovering that, contrary to common sense, other Yale women have dated MIT men (Friendster collision!).

Most of our weekend, though, had more of an architectural theme as we saw Gehry's home in Santa Monica and the Getty on Saturday. It was my first visit to Gehry's home, d's second; d's first visit to the Getty, my second. On Sunday we went to the Renzo Piano exhibit at LACMA, which should be there awhile considering how much money they raised to build Piano's future extension to the museum.

I just upgraded to a Flickr Pro account, which means I should have plenty of storage space to blog aplenty about Gehry's home and the Getty (no photos of the Piano exhibit allowed), but for now, the beach entry will have to do as I must find a way to sleep off my Red Bull and coffee.