Results tagged “Santiago Calatrava” from kwc blog

Art and Architecture link roundup


The Week in Links


For the engineer that prefers applied math, there's this guide to cracking Master Locks, which explains some of the math behind how Master Lock chooses combinations as well as some hands-on technique for getting the last number in the combination. You should be able to narrow the number of possible combinations down to 100 for any particular lock. For the "I'm a Ph.D mathematician, applied stuff is for wusses," there is the McNugget number, which (I hope) is keeping some theoretical math major busy somewhere (and safely off the streets).

In the world of architecture, the Torres de Calatrava look pretty cool (gallery 1, gallery 2). Not having seen Calatrava-style skyscrapers before, I wonder what Calatrava's New York City might have looked like, in comparison to the imagined NYC's of Norman Foster, Gaudi, and Spielberg.

There were a bunch of historical links this week. In light of current dollar/yen investment issues, let us harken back to the day of the One Yen bill, facilitated by this nice overlay of Tokyo in 1948 and 1992. For those of you who prefer historical comparisons via sequential art, this tour of Batman logos over the years shows some of the 20th century's best and worst graphic design, but which one did the caped crusader battle under when he made his greatest boner?

Staying in the 1940s, we can look at these World War 2 color photos. They could add even more photos to the collection using this really interesting colorization technique for black and white photos/video that only requires some scribbled color hints (I wonder if the technique would work on these 1910 Paris flood photos).

Calatrava's latest


Calatrava's design for the Atlanta Symphony Center has been unveiled (pdf fact sheet, quicktime flythrough). Although I find the tagline "Creating a postcard for Georgia" rather sad in its connotations, I do like the new design. You can compare and contrast with Gehry's LA/Disney Concert Hall (part I, part 2).